Research from Term Paper:
However , in accordance to some views, “Mahmoody’s history of being organised hostage in Iran was considered to have wonderful commercial potential and the video rights were sold ahead of the book was even commenced. ” (McAlister, 162-163) Therefore both the articles and the method it was drafted enabled a rather easy access from the reader for the message the book tried to convey.
However, Satrapi, an everyday graphic musician for The New Yorker, decided to tell her history using the technique of the graphical novel, a form of novel which will combines equally writing and pictures. This technique is employed in general in order to express tips about problems that would or else lack interest from the larger public. Therefore , multicultural graphic novels “can create a bridge to suggestions and reports that a lot of young viewers might under no circumstances be interested in or perhaps encounter. inch (Wilson, 32) From the writer’s point-of-view, “Graphic novels are a young individual’s art, requiring and fulfilling mental flexibility and worried stamina, inches adding to the originality and private implication inside the writing. (Schjeldahl, 2006) The author considers that using this way of expression empowered her to work with both her writing and her sketching skills “Images are a way of writing. Once you have the expertise to be able to create and to bring it seems a shame to pick one. I do think it’s preferable to do equally. ” (Satrapi, 2006) At the same time, critics argue that such a technique is useful pertaining to pointing out the private perspective on the situation and therefore the piece of writing becomes more representative pertaining to the character of the writer “the impression she tries to give is the fact she’s documenting the way her experiences seemed to her at the time” (Wolk, 2004)
Overall, it can be figured indeed, the perspective of each copy writer offers another type of view on a particular issue. When Betty Mahmoody shows a completely negative picture of the Iranian society, specifically from the perspective of her own horrifying experience, Marjane Satrapi tried to point out different aspects that will place Serbia in a more positive light. non-etheless, both freelance writers tackle this matter from their personal perspective in addition to comparing to their own pair of values and cultural conditions.
Works Offered
American Entertainment International Audio speakers Bureau. Betty Mahmoody. AE Speakers Bureau website. 2006. 12 Dec 2006 http://www.aeispeakers.com/Mahmoody-Betty.htm
Goldberg, Michelle. “Sexual revolutionaries. ” Salon Media Group website. 2005. 12 12 , 2006 http://dir.salon.com/story/books/int/2005/04/24/satrapi/index.html
Mahmoody Betty, and Bill Hoffer. Not really Without My Daughter. Nyc: St .
Martin’s Press, 1991
McAlister, Melani. “Iran, Islam, and the terrorist threat, 1979-1989. ” Terrorism, media, freedom. ed. David Schulm, Rutgers Univ. Press, 2005.
Satrapi, Marjane. Persepolis: The Story of the Childhood. Nyc: Pantheon Catalogs
Satrapi, Marjane. On publishing Persepolis. Random House internet site. 2006. 12 December 2006. http://www.randomhouse.com/pantheon/graphicnovels/satrapi2.html
Schjeldahl, Peter. “Words and pictures: image novels arrive of age. inches The New Yorker. The New Yorker website. 17 October 2005. 12 January 2006 http://www.newyorker.com/critics/books/articles/051017crbo_books1
Tully, Annie. “An Interview with Marjane Satrapi. inches Bookslut. August 2004. Bookslut website. 13 December 2006 http://www.bookslut.com/features/2004_10_003261.php
Wilson, Rachel. “Multicultural graphic works of fiction. ” Selection Media Connection. March 2006. 12 Dec 2006. http://www.linworth.com/PDF/Wilson.pdf
Wolk, Douglas. “Reading involving the lines: How does Persepolis 2 stack up like a graphic book. ” Wa Post. Newsweek Interactive. Sept. 7, 2004. 12 January 2006 http://www.slate.com/id/2106206
