“The wishing to belong seems to be historical and is at the core of our nature” The 1623 play Because you Like It (AYLI) by William Shakespeare, the 2004 poem ‘Feliks Skrzynecki’ from the Immigrant Explain by Peter Skryznecki as well as the 1942 painting Nighthawks simply by Edward Hopper. The play, poem and painting had been constructed simply by completely different composers with different contexts, and this fact only shows all of us that that belong is general and will usually play an essential role in human life. Maslow’s pecking order of demands, written in 1943, demonstrates that a basic need of human beings is to experience a sense of take pleasure in, acceptance and belonging in order to avoid problems including loneliness and depression.
The relevance of his theory to our modern day world is definitely astounding; his interpretations of the human condition remain essentially helpful in understanding social behaviours.
All three text messaging that will be analysed support Maslow’s hierarchy of needs and prove that one needs a sense of belonging to feel joy, security and self-esteem, but also present the mix and match of belonging showing the absence of that belong can lead to solitude, isolation and even depression.
In As you may Like It (AYLI), it is the establishing that takes on a crucial part in conversing belonging along with Shakespeare’s effective usage of juxtaposition of settings, structure, form and genre. The play is a pastoral comedy because it idealises nature and rural your life but as well mocks the simple life in the Forest. It possesses a place of curing where accurate identities is available. The framework of AYLI allows Shakespeare to use the juxtaposition of acts and scenes to emphasise the contrasts between the two settings; the Court plus the Forest of Arden which often explores the ambiguity of belonging. In Act you the play is set in various parts of the Court. The Elizabethan chain of being is usually disturbed by usurpation of Duke Older. Oliver and Orlando provide an unusual and unnatural romantic relationship as siblings which is advised by Oliver’s soliloquy in Act Scene 1, “I hope I actually shall find an end of him, to get my spirit – yet I know not why – hates just he”, when ever talking about Orlando, florida. Already our company is given the idea that the Court docket is an unnatural place where it is hard for people to belong.
Rosalind’s sense of belonging can be disturbed by simply her very own uncle, Duke Frederick, if he banishes her from the Court docket, “Mistress, dispatch you along with your safest excitement and receive you from our court”. Shakespeare uses a bad tone to emphasise Rosalind’s loss of belonging. Rosalind is very disappointed, anxious and nervous however the lady clearly feels a sense of belonging with Celia and even the fight among their two fathers are not able to break the strong connect between them; “Well, I will intercontinental condition of my own estate to rejoice in yours”. Rosalind also has the conceit to be able to take hold of the Forest of Arden. She is enlightened in the proven fact that she may disguise himself, another standard convention from the pastoral humor, as a male, Ganymede, as a form of protection in the forest. Shakespeare is exploring the disconnection and treacherousness of families due to avarice for electricity and depicts the a shortage of belonging that may lead to solitude. In contrast to AYLI, Peter Skrzynecki explores the concept of cultural belonging, the loyalty of along with suggests that you must feel comfortable and happy to be able to belong in his 2004 poem ‘Feliks Skrzynecki’ from the Zugezogener Chronicle. Skrzynecki addresses the ambiguity of belonging in the poetry with the suggestion that he admires but aren’t share his father’s lifestyle.
The composition is abundant in praise but reveals the and distance between Peter and his father Feliks. That belong is represented from the first line, “My gentle father”; the �troite pronoun ‘my’ is used as a technique in the first stanza to establish the strong and revered relationship between Peter and his father. Additionally, it informs someone that the composition is in first-person giving the poem a traditional and deeply personal develop. Cultural that belong is investigated through the initially stanza, exhibiting how Feliks is turned off from Australia, but is owned by his yard because it not simply reminds him of his previous your life within Europe, it makes him truly feel at home. Skrzynecki shows that his father “loved his backyard like an only child”. The utilization of emotive language demonstrates the bond between Feliks and his backyard. The man the poet presents for us has created his very own place in a brand new world; he “kept tempo only with the Joneses of his personal mind’s making”. A sense of social belonging is evident in the third stanza throughout the maintenance of a connection with his Shine culture through friendship. Symbolism is used within this stanza to share the perception of belonging that Feliks once got and still keeps “Talking, they reminisced about farms where paddocks flowered with hammer toe and wheat…”.
We are given a sense of the poet’s struggle to maintain his own Shine language – “remnants of your language My spouse and i inherited unknowingly” and anger and embarrassment when a bureaucrat insulted them both in the questionable comment “Did your father ever make an attempt to learn English? ” We are as well faced with the antithesis of belonging, “His Polish good friends always shook hands also violently…that formal address I never acquired used to”. Here Peter feels embarrassment and obviously does not feel relaxed. This is suffered in the last stanza when Peter reflects after his young years, “I forgot my personal first Polish word”, the industry metaphor for forgetting about his own culture as well as the poem ends with him “pegging my own tents further more and further southern of Hadrian’s wall”. Hadrian’s Wall can be used as a image to represent the European tradition that he could be moving further away from as he gets older. Whilst Feliks feels comfortable and satisfied with his Enhance culture, particularly to his early years of growing plants and pets in Poland, and this is why he has such a connection to his garden; Peter does not feel this security that is why he goes more towards the Australian culture even if really in a camping tent.
Skrzynecki effectively explores belonging and demonstrates that belonging leads to acknowledgement, comfort and delight. Similarly to how Feliks finds comfort in his garden, the characters in AYLI find the environment of the Forest a curing and healing place. William shakespeare juxtaposes Take action 2 with Act 1 to show the differences between the Court and the Forest of Arden. Act 2 begins with Duke Mature talking about the thrill and peacefulness of the Forest, “tongues in tees, books in the running brooks, sermons in pebbles and good at everything”. Immediately the fonder creates imagery of the Forest and a metaphor describing the forest as a peaceful and intellectual place that is good in every single way. We could informed that the forest is actually a natural place with completely different values than the Court and it is a place to which Duke Older instantly attaches.
The dialogue between the character types in this area of the play is primarily prose, which usually seems even more down to earth, casual and comfortable, showcasing the associations between and the simple life of the forest dwellers. Celia’s description of Orlando, “I found him under a shrub like a lowered acorn”, is playful and pleasant which usually shows how comfortable she is around Rosalind. Orlando in AYLI is actually a character who have longs to belong as they sets off to the forest at his own will to seek a sense of that belong. When Orlando, florida reaches the Forest he adopts design for the pastoral poet-lover; speaking rhymes and writing poems to Rosalind. Shakespeare is mocking typical love although is also demonstrating us that Orlando can be his true self inside the Forest, something that he wasn’t able to do whilst in the Court.
Rosalind renforcement her happiness when the lady falls in take pleasure in with Orlando “how cheerful are my personal spirits”, and feels your woman belongs with Orlando after testing his values great love in lots of ways and both, Rosalind and Orlando, complete a sense of belonging through the like they talk about. “You and you no cross shall part”, hymen uses a symbol to share Orlando and Rosalind that no issues now will certainly separate these people. Orlando and Oliver’s romance is also restored when Orlando, florida saves his brother’s lifestyle in the Forest from a lioness, we as audiences do not observe this on stage but Oliver tells the storyplot to Rosalind and Celia and the result of the event, “committing me on to my brother’s love”. The marriages at the conclusion of the play symbolise recovery to a point out where every belong within their true put in place the all-natural order. Shakespeare has intentionally used the setting with the Forest to demonstrate that this is a place exactly where belonging is found. Every persona who had all their belonging annoyed in Action 1, inside the Court, was able to regain a sense of belonging inside the Forest. Shakespeare successfully convey a sense of that belong through the accommodement of settings, structure plus the drive and motivations with the characters in their pursuit of pleasure, security and self-esteem. Shakespeare’s perceptions and ideas of belonging in AYLI, expand our knowledge of ourselves, others and the globe because he evokes issues to which all individuals can relate with in one way or another.
Additional to this discussion, the 1942 painting Nighthawks by Edward cullen Hopper reveals us that a lack of belonging can lead to remoteness and isolation. Nighthawks was painted shortly after the 1941 attack on Pearl Harbour to reflect the depression and isolation that was common at the moment. The vector of the portrait is the woman in the red gown, which grabs our focus, and redirects our type of sight towards the objects and folks surrounding her. We realize that the people are distant, the diner appears to be uncomfortable and the vast wide open space towards the left side in the picture cynically depicts the loneliness and existential worry of the big city. The length between the persons in the portrait also displays the lack of that belong and reliability. The lengthy shot in the diner and street distances us from your painting that aggregates to the sense of relish. The composer’s choice of a night-time placing highlights the gloom and encourages the utilization of chiaroscuro, the strong contrast between light and darker, which gives away a feeling of fear and pain. While the avenue is dark, and the diner in contrast is brightly lit up, the light seems cold and unwelcoming and signifies the fact that people inside are subjected and vulnerable.
Although the gentleman behind the counter appears to be captive, he’s in fact free, he has a job that he can come and go. It is the consumers who will be the ‘nighthawks’, waiting around to victimize men or women trying to achieve a perception of that belong. However it is only the absence of belonging that has caused this cynical behaviour and deep down it’s the longing to belong that brings them to this restaurant. The man and woman sitting with each other look like a couple, nevertheless their different body language delivers something different. All their hands happen to be close, but is not together, the person stares in space and the lady seems to be staring at the cigarette in her hand. They are dropped and cannot communicate, trapped in a prufrockian-like state. The solitary person on the other side of the bar juxtaposes against this. It is difficult to say exactly what he is carrying out and even more to express how he could be feeling. We’re able to say he could be in the dark areas, and hunched over and is definitely clearly sad and isolated; with the use of darker and light, and the man’s setting we are given the impression that he does not belong. The portrait has had significant influences in popular traditions featuring in numerous other forms including the movie Blade Runner. It is used to illustrate times of sadness and loneliness which clearly reveal that the painting is all about not belonging and implies that the lack of belonging leads to loneliness and unhappiness.
Each text symbolizes a different perception of that belong that is significant but it is the links between texts that reveal the nature and importance of belonging. Rosalind in AYLI and the bartender in Nighthawks can both be when compared to Feliks in ‘Feliks Skrzynecki’. Rosalind and Feliks are alike since they the two find their particular happiness, and therefore a sense of belonging. Rosalind embraces the destiny of see the forest and creates happiness by hiding herself as a male and Feliks creates a sense of belonging through the maintenance of his garden beds that give him satisfaction. The bartender in Nighthawks can also be compared to Feliks because they are both seen being very content men; the bartender includes a job that he can arrive and disappear from when he pleases and Feliks can be happy in his own natural environment. ‘Feliks Skrzynecki’ and Nighthawks both treat more personal aspects of that belong because these people were composed intended for specific followers whereas AYLI is more universal because it was composed to get a wide audience and can be interpreted as you enjoy it.
While Skrzynecki is exploring the understanding of friends and family loyalty between himself great father, William shakespeare highlights the disloyalty of families because of Duke Frederick and Oliver’s greed pertaining to power nevertheless Hopper will not address friends and family belonging, somewhat the a shortage of family that could perhaps certainly be a result of the war. Whether it be Orlando in AYLI, Philip in ‘Feliks Skrzynecki’ or maybe the ‘nighthawks’ in Nighthawks every character has a longing to belong essentially of their nature. Composers select different mediums to create all their work, every single with certain characteristics that aid these people in obtaining their purpose. Edward Hopper successfully developed symbol intended for the antithesis of that belong in his piece of art Nighthawks, evoking a strong sense of not really belonging through his manipulation of medium, colour, framing, chiaroscuro and the positioning of characters and their body language, proving that with no belonging we feel remote and soreness. In contrast, to Nighthawks, Philip Skrzynecki is exploring cultural belonging in his poem ‘Feliks Skrzynecki’ with the help of first person narrator, emblems, imagery and metaphor to prove that one particular must feel comfortable and content in order to fit in and Shakespeare demonstrates the duality of belonging through the juxtaposition of structure, adjustments, metaphors, imagery and soliloquy’s in AYLI to demonstrate that places play as an important function to achieve a feeling of belonging as relationships and events.
The relevance of the perceptions and ideas of belonging in these texts is astonishing; the composers possess raised problems that we are all in a position to understand and relate to, they will create a great emotional response within all of us, allowing all of us to understand the longing inside of us to belong and that it has been and always would have been a part of individual life in the middle of our heart. Without that belong we truly feel discomfort, low self-esteem and seclusion but once we achieve a perception of belonging we are offered happiness, security and acknowledgement. By examining numerous texts by several composers all of us broaden our understanding of yourself, others and the world around us mainly because we recognize that each and every person has distinct values that explain how come they fit in or usually do not belong. “By building contact we produce a source of appreciate and personal pride and belonging that makes moving into a chaotic world easier. “- Leslie Lieberman
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