The materials used to produce these statues symbolized the pharaoh’s timelessness and everlasting life, the body of the pharaohs symbolized the energy given to these people by Goodness, and the formal design qualities showed the religious and political attributes in the figurines. The sculpture of Khafre and Akhenaton reflects the political and religious climates of their time by making use of medium which symbolized the pharaoh’s timeless life and timelessness, and through formal qualities which will symbolized the hidden religious meanings inside the sculpture.
The sitting statue of Khafre demonstrates the politics and spiritual climates of his period through the statue’s medium, function, formal features of design and style, and iconography. The sculpture is made of diorite, an extremely important, un-breakable rock, which is a symbol of Khafre’s unwavering power while pharaoh. Khafre’s body demonstrates this was how a king was supposed to be portrayed, a perfect divine being that is flawless. The intertwined that lotus and papyrus plants represent the unification of Egypt.
Horus the atmosphere god can be shown stretching his safety wings to shelter the pharaoh’s mind. The figurine plays a crucial role inside the afterlife, that served as a resting place for the pharaoh’s ka, his existence force that accompanied him even inside the afterlife.
The Statue of Akhenaton demonstrated the personal and religious climate that he dominated in with the use of formal qualities, and iconography. Akhenaton’s sculpture was made of sandstone, different than the un-breakable stone that Khafre’s statue was made of these symbolized his divine electricity as king. The use of sandstone here displays the abandonment of older kingdom procedures. Akhenaton’s person is extremely different and displays him while an androgynous figure looking to portray while Aton, the sexless sun disk. This kind of statue represents the difference in religion, from a polytheistic based opinion, to a monotheistic religion centered on the worship of Aten, or Aton, the sun our god.
The sculptures of Khafre enthroned, and Akhenaton from your temple of Aton, echo the political and religious climates of time. The formal qualities of both statues represent their very own political stand and their spiritual views. Whilst they are very diverse, they are also very similar at the same time. Enthroned Khafre displays him because an idealized being with an ideal body that portrays him as a deity and shows his power as pharaoh. The sculpture of Akhenaton on the other hand, reveals himself being a realistic backed by curved sides and female like figures. Though he does not look like a great idealized being like in the old kingdom, he is still pictured as a deity trying to replicate the sexless sun Goodness Aton. Akhenaton was able to always be portrayed as being a deity despite his reasonable form due to his political power fantastic ability to change the country’s faith.
The figurine of Khafre and Akhenaton both reflected their political and faith based climates throughout the statue’s medium, formal features, and iconography. These figurines although different, are very comparable in laying out how a ruler was pictured in different instances and yet continue to looked like a deity.
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