(INTRO) John Misto’s drama ‘The Shoe-Horn Sonata’ depicts the journey of two females captured by the Japanese during World War ll. The play shows the conflicting problems of their relationship after fifty years. The re-union of Bridie and Andrea and their danger is dramatized and resolved through Misto’s use of dramatic approaches.
He effectively creates pictures of pressure, hardship, wish and endurance, friendship and forgiveness to emphasize the relationship involving the two girls. DOUBLE-HANDER) Misto effectively uses the double-hander technique to dramatize Bridie and Sheila’s romantic relationship. This technique identifies having two characters onstage, this helps the audience focus on the stories of Bridie and Sheila only. This technique is reinforced inside the title with the play. The double hander highlights the various contrasts among Bridie and Sheila. Bridie is expected as more confident and assertive, in contrast to Sheila who is pictured as even more shy and reserved. (TENSION) The starting of the crisis begins launching one of the two characters, Bridie.
She stands under a spot light re-enacting the ‘Kow Tow’ bow in center in the stage then simply “claps her hands sternly, immediately revealing the solid assertive nature of her character. Dramatizing the ambiance, Misto in that case uses a light juxtaposed with its dark environment reinforcing the of strength. The second landscape shifts towards the motel place where the viewers is brought to the second figure, Sheila. Their different approach to life clearly shows as Sheila is more cautious than Bridie, asking about the interview she is about to provide.
Sheila’s values are produced by the The english language values of her ime and her religious qualifications was Protestant. Her mom was evidently the more significant parent because Sheila was influenced by her mom to wear mitts in public, feeling superior to Orientals and Colonisateur and maintaining appearances. The reunion of Bridie and Sheila shows unresolved concerns as a picture of anxiety. As Bridie slaps Lin in Act One, Landscape Eight Bridie quotes “You’re alive today because of me. And don’t you ever forget it.
Though Bridie may well believe that the girl was the one who had salvaged Sheila’s existence when they were at the camp, Sheila cannot stand this any longer your woman pulls the actual shoe-horn coming from her bedroom bureau and throws this onto the hotel pickup bed in front of Bridie. Before Sheilas informs Bridie about how the lady had gotten the quinine tablets ‘We hear crickets, faraway first, gradually getting louder as the scene continues’. The broadcasting of the junle crickets makes tension because the sound gets louder which will reflects Sheila’s inner turmoil and psychological fear. Though Sheila strongly asked Bridie to answer her question ‘Bridie faces far from Sheila.
Both of them are isolated in spotlights’. This creates tension between two while the light of the spot light are focused on the two and in that moment a voice-over of young Lin is played to emphasize the desperation of how Sheila didn’t want to reduce Bridie. In Act One, Scene five Rick requests, “Did the Japs at any time try to take advantage of you? Rick’s query have them quarrelling about the ladies who rested with the soldeiers as Andrea supported all of them saying, “they had zero choice, For instance a had starving children because Bridie highly opposes, “To sleep with a Jap? How can you ever experience yourself? due to Rick’s problem tension grew and offered the audience a hint that there is something that may of happened in the past. (BRUTALITY&HARDSHIP) Creating an image of brutality and hardship, Misto dramatizes the problems between the two characters. Throughout the day Misto shows the horrifying scenes of when the females of the camp were completely punished. Images of two women POWs projected onto the display screen in Work One, Scene Six were described as, “Stick and bone dressed in rags, Bridie was one of these ladies and this is the time she had found the soldier she got married to.
The technique effectively conveys the women’s survival as the audience is made to face the suffering the women experienced. This technique effectively highlights the physical and psychological abuse women experienced endured throughout their imprisonment. Hardship and brutality are also evident in Act Two, Scene eight the following quotation is said by simply Sheila “The Japs launched a new rule at Belalau- No operate, no meals. So if you had been sick and couldn’t stand up, you had been left to starve to death¦ for this reason rule Bridie became too sick to even consume and Sheila knew that she would have to be treated instantly.
Another landscape where brutality and hardship is obvious is in Work One, Scene four in which the audience listen to the voice-over of Lip stick Larry yelling ‘followed by ugly thumps of small Bridie getting punched and hit’ after finding the flag she experienced planted in the loincloth. Bridie’s snes of humor and courage are evident in this scene as Sheila’s popularity of and devotion to her friend at the time. The audiences are produced aware of the brutality with the women’s encounters as the soundtrack to transport the sound of Lipstick Larry beating Bridie. (MUSIC) One of Misto’s any powerful techniques is music, he uses this to highlight the image of hope and survival since Bridie and Sheila cope with their uncertain problems. Bridie recites, “And I got Sheila’s hand-and I squeezed so hard. ‘We’re going to live, ‘ We said to her. ‘I no longer care how or what it takes, we are going to endure this warfare. And when is actually over, both you and I will get dancing. All of us will. I am aware we is going to. ‘ This tells us of how moved Bridie was as she got just heard the Japanese group play ‘The Blue Danube’. This shows that Bridie continue to held wish, hope that they may be ok, that they will survive and that they could make it through the camp jointly.
In act one picture three a voice over of young Lin is played “Bring me personally my boy of burning rare metal! /bring me arrows of desire. This is quoted by young Lin as she’s floating in the sea, almost drowning. The girl sings ‘Jerusalem’ which is a great uplifting hymn about the greatness of England quite ironic as the The english language are becoming bombed by Japanese. The application of music inside the play powerfully creates an image of hope and endurance as Bridie and Sheila’s relationship is definitely dealt with. (FRIENDSHIP & Differenziato is able to generate images of friendship and forgiveness to aid notify the audience that Lin and Bridie have settled their problems.
In Work Two, picture thirteen Bridie quoted “She went to¦the japs, into a Japanese shield ” and¦ she sold herself to him intended for tablets. And she offered herself to him¦so which i could¦have quinine. This indicates the forty five years of not seeing one other because of the discord that experienced risen following the World Battle ll. Within the last scene Lin hands over the Shoe-Horn to Bridie “I’m sorry I¦kept it such a long time. Go on consider it this is certainly said simply by Sheila because she retains out the shoe-horn, it signifies forgiveness and a more robust bond inside their friendship. Within the last scene Bridie and Sheila dance ‘The Blue Danube’, a guarantee Bridie made to Sheila during the war.
The fast and vibrant sequence of the song also reephasizes their getting back together. Although it took a while intended for Bridie to simply accept what Lin has done on her behalf they both equally ended up rising what provides happened to them and acknowledging that this only built them stronger, this is evident in Action Two, Picture Thirteen, “I’d go to the Japs. Again merely had to and I wouldn’t believe twice-cause Bridie’s my friend and that is all there may be to it Misto applied the women’s situation to portray his ideas and the fact you can move on together with your life till your previous is solved. This is a dramatic theme that relates to everyone in the same way Misto’s one particular does.
