Tran, Hillary Ruben Steinbeck, “The Chrysanthemums” Character Analysis: Elisa Allen Elisa Allen is first portrayed as a woman that can take on any kind of job and any gentleman but in the end, becomes a female of obedient, compliant, acquiescent, subservient, docile, meek, dutiful, tractable femininity. The plot involves her voyage of realization and conversion to beauty, which decisivelydefinitively, determinately, once and for all, once for all, labels her as a dynamic protagonist.
Your woman works in a garden and farms and cultivates as well as a person and never fails to amaze her husband of her abilities.
The story depends on her spouse asking her to go in town for any nice dinner date night following he switches into the slopes with their sunshine to look for some steers. As her partner goes off with all the son, a stranger comes their hacienda and seeks for directions, as he is lost. His wagon cover reveals that he is a repairman for scissors, pans, and all various tools. He strikes a conversation and seems to be really interested in Elisa.
However , there may be slight anxiety within their dialogue because it is obvious that he is looking for work to feed himself pertaining to the night, although she does not want to offer in to his marketing system. He promotes that they can make any tool or pan look brand new but it will surely be of an edge to Ms. Allen, it is not necessarily until he asks for her chrysanthemums as being a gift to an old lady friend down the road that Elisa begin to loosen up. Flattered by his praise with her planting job and feeling as if your woman should owe him some thing, Elisa digs out several old light weight aluminum stove planting pots for him to fix.
As he is mending them, the lady asks him about your life on the road and shows that she would love to live like a person despite his comments it is dangerous for any woman to have like him. She pays him fifty cents and jokes that he might always be coming along some new competition on the road since she too, can diamond ring out the nicks of virtually any pots and sharpen scissors better than someone else out there. It is said their farewells and Elisa begins to plan dinner. She showers and glams up herself intended for night and her spouse compliments her from searching “nice” to looking “strong”.
She concerns when he first says great because she’d rather look strong, as she prefers to be described. This markings her changeover from a masculine female to a girl of femininity. Later, because they ride in to town, Elisa asks her husband regarding the entertainment fights, that do women participate and go watch too. He answers yes they actually and requires if she’d like to proceed although this individual knows she probably will not enjoy it. Your woman replies not any and appears her scruff of the neck to weep silently “like an old woman”.
Her weeping symbolizes the end of her transition by a masculine dominant female to a submissive female. Her transition generally seems to come from contemporary society rejection with the idea that woman are just as nice as males. The society of Steinbeck’s tale portrays ladies as not being able to take care of themselves – that they need a gentleman to protect is to do hard work for them. Ms. Allen knows that your woman can do work just as well as a man but she is consistently stricken down and disheartened by the comments from her husband plus the repairman.
She feels that though she has the abilities to show, she will by no means be seen while equal to a person because of her gender. She may be a very good woman, although she is certainly not strong enough to rise against contemporary society. She can easily well show herself to the world that woman may be just like guys by riding around in a wagon by herself or perhaps participating in a fight, yet her likelihood of proving their self are thinner than her chances of being taunted and picked on simply by other males. This conclusion, is the motor behind her stepping down from an independent woman to a submissive old female.