Excerpt from Term Paper:
European Enlightenment: The Innovation of Romanticism
The Western Enlightenment has often been described as a resurgence of interest in classical learning and a belief in the value of rationality as a means of describing the ways when the world proved helpful. One of the most popular philosophies throughout the Enlightenment was Deism, which will viewed the universe like a kind of a clock that had been set in motion by a divine getting but which in turn operated based on the principles in the universe, certainly not the cautious surveillance of God. Deism and other Enlightenment philosophies got their origins in the technological revelations of “Galileo, Kepler, and, especially, Newton” which will “resulted within a vision of the world that was remarkably organised and specific in its faith to universal mathematical laws” (Staloff). This later was extended to political philosophy. Enlightenment period philosophers such as John Locke maintained that human beings, irrespective of status, a new right to exercise their rationality and rather than an unhesitating belief in the divine proper of kings, people experienced the right to physical exercise reason in allowing a just full sovereign coin to govern who would not interfere with their particular rights.
Disillusionment with the Enlightenment began to surge given the dramatic inability of the French Revolution to appreciate its assure of the principles of equal rights to create a fresh and more best society. “What started being a revolt against tyranny while using aim to applied a government created according to the highest principles of educated thought turned into a bloodstream bath displaying the lowest part of human character” (Carreira). Artists also began to skin against what they saw as the limitations of the Enlightenment’s emphasis on order and rationality. Romantics just like Byron, Shelley, Wordsworth, and Keats celebrated irrationality as well as the value of personal, intuitive know-how versus the empirical and logical.
There was the profound mistrust of research and an idealization with the pastoral and medieval inside the Romantic visual. The witty and satiric works and a fascination with rhetoric and Greek and Roman epics that were remarkable in the poetry of the Enlightenment-era poets such as Alexander Pope’s “Rape from the Lock” had been replaced by simply Romantic sentirse which emphasized lyricism and personal feeling while seen in poetry such as Percy Shelley’s “Ode to a Skylark. ” Percy’s wife, Jane Shelley, published one of the most popular anti-science books of this time, Frankenstein, which highlighted humanity’s