Compare and contrast the way the poets present a rustic activity? The two poems ‘Photograph of Haymaker 1890’ by simply Molly Holden and ‘Hay-making’ by Gillian Clarke represent rustic activity in a similar way. The poem ‘Photograph of Haymaker 1890’ contains two stanzas and this could be linked to the reality it is a reminiscing photo of any man who cuts hay. This reveals the rustic activity due to the fact it’s the poet probably describing a relative of hers working.
Whereas, the poem ‘Hay-making’ provides three incredibly short stanzas. We can hyperlink the short, fast going stanzas with the fact that the title seems identifiable with love making.
The poet Molly Holden cleverly uses the imagery of lifestyle and fatality throughout her poem ‘Photograph of Haymaker’. An example staying ‘to stimulate his scythe’ this delivers the communication of fatality and an image of a harsh reaper. Holden cleverly juxtaposes this while using phrase ‘white shirt lit up by an additional summer’s sun’. Gillian Clarke also uses an challenging juxtaposition, ‘these hot nights’. This juxtaposition shows a sultry picture of natural enthusiasm. You could also hyperlink this to rustic activity if you envision a member of staff possibly employed in the night period. The tones of the two poems seem to be completely different coming from each other.
Holden’s poem, ‘Photograph of Haymaker’ has a sentimental tone ‘he pausing coming from his work, trousers attached below the knee’. The keyword phrases used supply the connotation of the poet bringing back good remembrances. This is what photos tend to perform. Clarke uses enjambment since she would not use punctuations to break up the flow of her composition and this increases the dreary tone. Towards the end of the composition we see more evidence of old-fashioned activity. The poet Molly Holden uses enjambment throughout the last stanza, ‘sweet hay and eliminated some 70 years ago however they stand before me in the sun’.
This enjambment gives the picture of hay perhaps falling down. We can link this to rustic activity if we make an image within our head of hay slipping down in a country farm. Gillian Clarke’s composition has an interesting caesura before the word ‘Breathe’, this can be seen as a command quite possibly suggesting how the ritual of harvesting is metaphorically inspirational. Another important expression which is firmly linked to old-fashioned activity is definitely, ‘in the scratch of the hay’. The ‘scratch’ from the hay creates a physical hyperlink between countryside nature of any farm for instance and the work of individual love making. We could also say that this is onomatopoeia.
