Excerpt from Essay:
This is observed in entitled “Negation, ” the play on words in the French expression for ‘Negro” and the English language word meaning absence: “Le negre negated, meager, c’est moi:… My personal black face must preamble murder for you personally. ” Clarke thus produces his personal language like a medium of expressing his message over the course of Execution Poetry, a blend of English language, slang, Photography equipment French patter. As well as clearly delineating the voices of his own and his cousins’ voices, Clark also at times blurs them, as if he notes the fiction in the Geo and Rue he can creating inside the poetic cycle, and the query remains about whose “black face” he’s referring to that is assumed to be a murderer – his personal face, and also the face of his cousins.
Clarke strives to use chinese of the street to give the visitor a sense of ‘place’ and the area of his cousins by using multiple and metaphorical ‘languages’ as well. For example , the composition “Haligonian Market Cry” creates the bustling atmosphere of wandering down a market by mixing up voices: “I got hallelujah watermelons! – virginal oranges! – desired corn! Munit haec altera vincit! inches The cry of the venders becomes more and more sexualized since the poem spirals upon: “Luscious, fat-ass watermelons! – plump apples! – big-butt corn! Votre gusta exista jardin! inches As the language of foodstuff, sexuality and virtue becomes intermixed, the voices from the sellers accept a character of their own, even though they can be minor, mysterious participants, and Clarke blends other languages and excessive culture to suggest the enthusiasm, eloquence, and vitality with which that they sell (along with all the permeation of white culture): “Good God cucumbers! – righteous oranges! – golden Baptist hammer toe / Expire Reue ist auch doch wirklich ein leuchter Kauf! as well as I got sluttish watermelons! – sinful cucumbers! – jail-bait pears! – / Rooted by Big-Mouth Chaucer and picked simply by Evil Shakespeare! “
These kinds of different voices – those of society, the killers, and his own, and also the different languages heard about his world helps Clarke appreciate, but not justification the murders: This is most poignantly noticed in as discussed in “Original Pain, inches talking about the boys’ abused childhoods. There is a saying that their particular father’s “love iced over our minds. ” Clarke suggests in his poems around the actual trial “Malignant English” and “Prosecution” that his cousins could also have been even more ‘sinned against than sinning’ because of the bias of the criminal prosecution but he never concerns a final perseverance as to what they were doing was right or wrong, and his technique is a writer should be to unsettle through creative uses of language, not come to a last conclusion. Exactly what unequivocally wrong are racism, and the ways that the judicial system is harsher against Blacks, and its not enough compassion for all. Geo says “The regulations preach Christ, but train crucifixion, inch and the resentment of this simple truth is
