One of the renowned American poets of his century, and of the generation nonetheless, Robert Ice – apparent in his perhaps most widely identified poem, “The Road Certainly not Taken” (1915) – will be able to effectively connect the inherent and quintessential condundrum existent in humankind which effects the greater part of every human being’s existence.
Conversely, the poet person Blanche Farley, in a related poem eligible “The Lover Not Taken” (1984) is able to afford visitors more than a simple glimpse, and possibly, reflection, of the inner operation of the individual psyche, and its complexities; however much verging on a lampoon or parody of Frost’s work it may appear to be.
Both equally writers can convey an element of humanity through their particular poetry. In addition to the glaring similarity which is out there in the title of Ice and Farley’s poem, “The Road… ” and “The Lover… ” share another familiar factor.
Both are filled with the inherent human anguish and truth of choice. The need to choose between two roads to tread simply by, or lovers to take for one’s own; and the possibility of being at an advantage or perhaps disadvantage for selecting or dismissing a lover or proverbial road over the various other is explicitly voiced in both poems.
Equally Frost and Farley have the ability to communicate the exquisite anguish which is always attached to the act of selecting, and perhaps even mourning the very fact that one does not have the capacity to venture and experience the two undertaking.
Frost’s “The Highway Not Taken” begins with the famous lines affirming the previously mentioned feeling when he pronounces, “Two streets diverged within a yellow real wood, / And sorry I really could not travel and leisure both… ” (1-2). Just in case readers were not able to precise this particular ideology from the name yet, these quoted lines are able to securely establish and affirm that. The degree of Robert Frost’s poem proceeds to relate how he select one road over the other, one that appeared less than nice, but that which he proceeded to stand along in nonetheless.
And despite currently treading along in that, Frost briefly thought of coming back again and jogging the additional road instead, but he resolves to keep on the road your dog is chosen, pronouncing, “Yet knowing how way leads to way, as well as I doubted if I will need to ever keep coming back. ” (14-15). The composition aptly culminates under a monotonous, but positive and upbeat note when the poet appears back for the journey your dog is taken, and relates: “I shall be informing this using a sigh / Somewhere age groups and age ranges hence: as well as Two tracks diverged in a wood, and I– / I had taken the ones fewer traveled by, / Which has made all the difference.
” (16-20). The well known road and journey that the poet took, and which usually every person and girl, at a single point yet another, is inevitably guaranteed to undertake can be highlighted in the poem. Frost stresses the weight or perhaps impact that each individual’s choice contributes inside the shaping of his or her life. The finishing line inside the poem addresses to visitors on a visceral level because it encompasses a natural and significant aspect of just about every individual’s humankind.
In “The Lover Not really Taken, ” Blanche Farley addresses this kind of similar facet of humanity – the perennial agony associated with choice – albeit seated in parody, and perhaps even comedy. Farley relates the age-old torment of being ripped between enthusiasts, playfully relating, at times discreetly, and sometimes crudely, in a vogue almost similar to Frost’s previous poem, “Committed to a single, she wished both / And, mulling it over, lengthy she stood… This new dude, smooth like a yellow wooden / Really turned her on. ” (1-2, 5-6)
Farley profits to relate what she finds attractive in equally men, practically in a way which appears achingly teen, but the poet person redeems herself with footprints of wit and wit which “The Lover Certainly not Taken” is not devoid of. The narrator troubles very little with a view with the consequences and ramifications that may possibly ensue if she was to pick one lover over the other; although like Frost, the narrator is able to get to a firm decision. Farley concludes the protagonist’s particular condundrum in comedy triumphance by simply expressing, “With that in mind, she got the quickly way home, / The street by the pond, and phone the brown.
” (21-22) Blanche Farley’s “The Mate Not Taken” may be distinct compared to Robert Frost’s typical “The Road Not Taken” in terms of the gravity of choices getting discussed, nonetheless it nonetheless presents readers a reality which does apply in the magnitude of individual existence. It reinforces the idea that the perennial anguish which is out there alongside mankind’s inherent ought to choose is certainly much present, whether it is in a thing as arcane and immensely significant while the quest every individual is supposed to undertake that can alter their entire becoming, to anything as relatively banal, trite and even teen as unklar love.
Finally, “The Road Not Taken” and “The Lover Not Taken, are both able to stimulate the pain which lies in choices, even so disparate the weight from the concerns resolved in every single poem might be, and in substance, both are able to reflect mankind.
“The Road Not Considered. ” Anthology Of Poems. 27 March 2008.