Excerpt from Essay:
Emma Woodhouse: Jane Austen’s sublime mimic and dramatist
In the well-known ‘Box Hill’ scene of Jane Austen’s novel Emma, the leading part Emma Woodhouse shames the indegent, garrulous spinster Miss Bates with a terrible jest and nearly seems to lose the man your woman loves (but does not understand she loves), Mr. Knightley. Emma was warned against such verbal displays earlier in the story. “For disgrace, Emma! Will not mimic her [Miss Bates]. You divert myself against my own conscience. And, upon my personal word, I really do not think Mr. Knightley would be very much disturbed by Miss Bates. Little things do not inflame him, ” she is reproached by her old governess Mrs. Weston (Chapter 26). Over the course of the novel, Emma Woodhouse, “handsome, clever, and rich, ” as she actually is referred to at the beginning, must be educated to be worthy of her hereditary and financial inheritance (Chapter 1). A vital component of her education as a result of Mr. Knightley is to learn to be a better mimic of truly the ‘better sort’ of people and ultimately get her accurate self. The girl begins the novel a great imitator from the heroines of romantic works of fiction that the lady reads and dashing, irresponsible aristocrats just like Frank Churchill. She ends the book a sadder, wiser girl more in touch with reality with out longer just obsessed with the drama developed in her own mind. At Field Hill, Emma finally abandons her function as a mimic of a figure in a wonderful drama, or possibly a witty sociable dilettante, and accepts the reality of the world around her.
Emma’s talent intended for mimicry is seen early on when ever Mr. Knightley remarks upon how Emma is permanently drawing up lists of catalogs to improve their self, which your woman never gets around to reading. Emma’s efforts at drawing and playing music, later in the novel, also highlight her lack of app: she can easily draw a convincing similarity of her friend Harriet Smith or play a pleasing tune, nevertheless her hard work is always shallow. Emma, always dwelling upon surface appearances, sees very little as a matchmaker. She brags that it was the girl who came up with the match between her aged governess Miss Taylor as well as the widowed Miss Weston. Emma’s perceived expertise is a part of how the lady styles herself to the world: as someone who is clever at exploit people. Nevertheless , Emma’s genuine perception of reality and reality on its own are often not really commensurate. The simple fact that this wounderful woman has often thought the function of mistress in her father’s property has provided her a sense of self-importance beyond her education. This can be noticed in the language her elderly daddy uses to describe his daughter at a single point: “I leave an outstanding substitute during my daughter” (Chapter 8, italics mine). Emma has been called upon at an early age to try out the role of a superb lady, prior to she has got the meaning education that Mr. Knightley will provide. She’s only an alternative, not the ‘real thing. ‘
This is particularly apparent in Emma’s ‘adoption’ of Harriet Smith, a lower-class girl whom Emma hopes to groom for any great romantic endeavors with Mr. Elton, a male far previously mentioned her in social status. Emma